green amethyst pendant – antique triangle – 2.5 carat
Green amethyst mounted on a triangle water pendant. This brilliant-cut Green Amethyst is 2.5 carats and has a checkerboard finish. Mounted in a bezel setting.
Pendant is 8.2 cm long by 2.4 cm wide.
The weight is 11.2 grams.
The antique finish is permanent and it never needs polishing.
WATER * I Change * FLOWING FORMLESSNESS – Transformative – Playful – Balance – Passionate
This pendant comes with a 24″ – 1.15 mm box chain – Sterling silver. I have applied an antique finish to the chain to match the pendant.
Argentium Silver is a high quality silver with a silver content of 940. It has the unique feature of having a small amount of Germanium added. Argentium Silver is whiter, harder and slower to tarnish. And it is always nickel-free.
For the ‘waves’ design (in the Water Design group) I start by imprinting Argentium silver sheet with sand – for a nice beach texture. Then cut the shape I want from the sheet of silver.
Next, with the softest torch, I roll the edges of the sand-textured silver. I carefully and gently melt the edge, just until the silver begins to ‘roll’.
Once I have the soft edges done, I lay out silver waves and granules, to mimic the water and pebbles of a beach shore, and then fuse them permanently in place.
I then make a bezel wall to exactly fit the gemstone. This is soldered to the base plate. And I attach a bail for the pendant to hang on a chain.
With one final check, I make sure the shape is perfect, and I polish out any scratches or marks from the work process. Then I tumble for work hardening and polishing.
Argentium silver has one extra step. It must be heated. This brings the Germanium to the surface to protect the silver – slowing down tarnish and creating a very white, scratch resistant surface.
The Argentium silver has been textured, cut to shape, edges rolled, waves and granules fused on, bezel attached, bail soldered on, polished, work hardened and baked.
Now the silver is ready for the gemstone to be set. To set this stone I make sure the bezel walls are exactly the right height, then I carefully bend the silver over the stones edge. Bezel settings are the most secure and protective way to set a gemstone.
A final polish to smooth out the bezel edge and make the silver ‘mirror finish’ shiny. For antique pendants I antique the entire pendant and then polish the top surfaces back to shiny for the contrast of light and dark that really show off all the details.
And the pendant is ready to be enjoyed for years to come.
